“The Job Of The Artist Is Always To Deepen The Mystery” - FRANCIS BACON

The above image was designed and created with Mother Nature in mind. The author of the book this piece aims to represent believed that the Earth and its atmosphere were interwoven living organisms, capable of self-regulation. The imagery used is of Snowdonia’s ‘Crib Goch’, utilised for its sheer size and unbelievable natural beauty; a theme that surrounds and inhibits Lovelock’s theories.

‘GAIA: A NEW LOOK AT LIFE ON EARTH’

BY JAMES LOVELOCK

Coloured pencil on card

40cm x 20cm,

‘Natural Desires’

Coloured pencil on card

10cm x 10cm

A follow on image from the larger above piece. This drawing aims to invoke a reader or viewer’s sense of self; in that they might find themselves, as living creatures, not dissimilar to what Lovelock writes about in theories that may otherwise appear larger than life, and outside the realm of understandable feesibility.

‘THE INVISIBLE MAN’

BY H. G. WELLS

This design for a wrap-around book cover found its roots in the same British village within which The Invisible Man, by H. G. Wells: Iping, imagined for the story, but a real place regardless.

I wanted my design to best showcase the mannerisms of the book’s antagonist, depicting his more frightening sensibilities and utilising a translucency described at the end of the book to invoke a sense of horror in the viewer.

Coloured Pencil on Paper

42cm x 29.7cm

“And so, slowly, beginning at his hands and feet and creeping along his limbs to the vital centres of his body, that strange change continued. It was like the slow spreading of a poison. First came the little white nerves, a hazy grey sketch of a limb, then the glassy bones and intricate arteries, then the flesh and skin, first a faint fogginess, and then growing rapidly dense and opaque. Presently they could see his crushed chest and his shoulders, and the dim outline of his drawn and battered features.”

- H. G. Wells

Beauty is both picture and prompt.

Poetry Illustrations

‘An Autumn Greeting’

By George Cooper

Coloured Pencil on Paper

14.8cm x 21cm